SALISH SEA ART COLLECTIVE

This ad hoc group of artists and cultural workers has evolved since 2018. Projects hold a common theme around regeneration, land and people.

* this webpage is an initial placeholder for Being Water and Clam Basket project as well as future collaborations.

 
 
  • Collective learning and sharing for others and ourselves

  • Being with and respecting natural life cycles.

  • Commitment to land, including water, air, plants, animals, language and culture.

 
 
 

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ɬoɬmom     littleneck clam

yɛχay     clam basket

taqʷə     octopus

ƛəqstən     seaweed

kʷumaqɛn    sealion

χɛχyɛq̓     crab

χawχɛk̓ʷum     herring eggs

t̓aqos     starfish

ʔəptən     green urchin

ƛaləqən     moonsnail

kʷumkʷumay    arbutus

work in progress

Being Water is a multimedia research project about the regeneration of healthy ecosystems. Components of the project include:

yɛχay | clam basket 

LAND LANGUAGE

being water

weaving & narration: sosan blaney

paintings: megan dulcie dill

video: claudia medina

Yexay Research Project

based on stories about the northern Salish Sea seen through diverse perspectives and inquiry into collections of the Tla'amin Nation, qathet Museum and Archives, local collectors and gleaners with direct experience in/around the Salish Sea. The program rethinks what the local collections, institutional process and curation practice has signified through time using an artistic intervention with new media and critical presentation. The artists have created dialogue around their experiences in and around water with connections to language and land based knowledge. Objects and experience have acted as a starting point for inquiry based learning and the sharing of individual and collective memories. The artists have co-created a piece based on these conversations, experiences and the objects themselves. The concept is based on presenting untold stories through direct experience with the local land and artifacts. The land and direct experience on it can provide a framework for understanding our place in a reconciled version of Canada.

installation